Revelation

I making prints now; I've always known about this. My ex-girlfriend Beth and I had talked about this for years, and she had been working on that process for a long time. How to sell other works in tandem with a passive revenue stream from T-shirts, posters, and prints based upon original pieces of work.

Sady Starkiss Sticker “Blast Off!” on external memory drive.

My friend, the tattooist, had given me some information about a printer down in downtown Portland that I might want to get a hold of for making prints looking into that so I can see if I can make cheaper prints than where I'm going out right now. I need to get the cost of those prints down so I can make more of the artwork. Suppose I get more of my prints made out over social media. In that case, I can start swinging other ways from having to actually work out a 9-to-5 job and actually start making money off of passive income rather than active income. That was the most significant point that was a revelation to me. I've been fighting it and fighting it and fighting it for a long while now. I realize I could actually make more money off of making prints off of my work and making original pieces all the time, and then I can spend more time making original pieces there for making prints and then go from there.

The biggest thing that my friend also pointed out to me at the show was that they were the other artists I didn't see there at the opening. I was the only one there.

In the process, my artwork also stood out from the others on the wall, knowing this was his description, not mine. But massive black-and-white pieces have a tendency to stand out amongst most of the color stuff, so they definitely stood out.

At the same time, a lot of extra work was done on each one of these pieces, whether it be an 8 x 8, a 12 x 16, or an 18 x 24.

Baby Blue Escape. 8”x8” Scratchboard.

People can see the effort that's done in these individual pieces of work. That's the reason why my stuff has a tendency to grab people's attention. My friend had also mentioned to me that if you're doing the work just to crank stuff out, that's one thing. Still, if you're doing it because you're driven to it, which I know I am, I love working on the artwork; it makes me feel creative and whole and gets a lot of ideas out of my head on the paper or on the board in this case.

A whole mess of 8”x8” pieces being prepped for work.

Remember, I have often talked about in previous posts how some artists are stuck in the creative mode and are not trying so much to work on figuring out how to sell themselves. That's where I've been. I need to branch out if I'm ever going to make it as a successful artist. I need to branch out and start focusing on how to not only crank stuff out, putting great ideas out there but allowing pieces to breathe, and that means making prints, T-shirts, posters, and stickers.

Blue The Bulldog Sticker.

End of the Year 2023 - A review

Hey there, Sports Fans; Al here with the latest:

Just a leap of faith!

Well, it has come around again, that special time of the year when you see the old man with the scythe walk away with a downtrodden look, a look of weariness that can only be described as a "Thank God, that's over!". 

I, like so many people and not just Americans, mind you (even though they constantly surround me. And I happen to be one.), am just tired of the constant news feed of fear and loathing of our species: war, disease, classism, diversity, equality VS equity.

And that is real life crashing down on creatives like myself. 

All artists are empathic to some degree; otherwise, we wouldn't be able to render our work the way we do. We are giving you, the public, the heart that beats within every one of us.

But this has been a hard year for the kid.

The relocation to a new environment and feeling settled has always been an elusive goal. Over this last Christmas break from work, I was able to spend some time with my younger brother, who is in basically the same financial boat that I am. I voiced a fear that I never felt settled. There is a reason why I still have things in cardboard boxes around my apartment: I never know when I am going to get that typed or handwritten letter. "You are going to need to move. We need the space ... blah, blah, blah". 

This is nothing new to anybody else, but if you have moved as many times as I have over the decades. I don't feel settled. I probably won't till I kick it- six feet down, ash and all. And I have seen a bit of Death's handiwork that recently, up close and personal. 

And what of artwork?

A group of prints of work that I have been doing along with a lot of swag this last year.

Art has been a trial this year, BUT There has been an uptick in work sales and associated material. I have managed to navigate a show, get the frames for it, and prep for another art show for the upcoming year. The commissions have been a big help in alleviating the finance of paying for the new materials needed for a show. 

And for that, I am grateful. 

So, what do I hope for next year?

12”x16” Scratchboard Commission #3 of the USS Enterprise 1701. “The Mutara Nebula”

That a few world conflicts come to a close. No more war; atrocities are accounted for, and the world's emotions are on a decline. People would stop being rude to each other. Those are always lofty hopes.

But on a closer and personal nature, I would hope that I would have found success in selling the artwork and having successful art shows around town as well as the merchandise that I have been working on currently.

One of the Sunrises in town on the way to work.

And the judgment is?

2023 is gone — no more than a fart in the wind. Things are always going to change; people are going to fight and die over stupid things rather than embrace breathing in the air or watching a sunrise. New friendships will be forged, and old friendships will continue to age like fine wine. 

I'm an artist who loves to draw and illustrate. I love a good story, and I love a good beer. 

I am looking forward to the new year. 

The Last Month of the Year

Hey there, sports fans. Al here with the latest;

Well, it’s October (Now December) or at least late October, now getting close to the month of the end of October and Halloween—my favorite time of the year. There is nothing wrong with November mind you.

Also, I should mention that prints have been made and now not only but also T-shirts as well! UPDATE: AND on top of the prints and t-shirts, I have been working on a smaller idea with stickers! Just a fun little way to get things out there.

“Juice Box” T-shirt design.

I’ve been putting together swag bags for some people who bought products from me. It’s a great time, and hopefully, I’ll be able to get my investment back as quickly as possible.

About

Not to bore you with the absolutes of business, but returns are always an excellent little supplement when you’re putting a lot of money out to make yourself look good.

Anyway, I’m looking to see if I can add another option to the website for clothing and other materials to be bought, so hopefully, I can be able to actually start supplementing my artwork a little bit better than just standard commissions.

As far as commissions are concerned, I have two more in the works. I have one that I just started, another enterprise piece, and after that, I have another solo piece that’ll be mentioned later on. It’s going to be a unique-looking piece. I can say this much.

So there you go.

And this kid is out of here.

Who is Sady Starkiss?

Simply put, Sady Starkiss was a product of a conversation and a single commission.

In this commission, the idea was to have what my friend referred to as a "Space Nubile." And that was as much information as he gave me. He wanted something with the '50s feel to it. So, I combined a classic Vargas girl pinup and a Wally Wood space girl.

I'm a sucker for old 50s pinup girls, to begin with. And Wally Wood had such a flair for the ladies of the time.

A questionable combination, but I needed the challenge of something new and not just my traditional superhero schlock. I ended up with an old-school control console and some deft gravity-defining clothing. The inside joke was Sady couldn't keep her clothes on.

Of course, this commission led right to the creation of Heavy Metal (an old-school robot based on the old black and white movie The Mysterious Doctor Satan).

Then there was talk of a crossover between the two. There have been a couple, but the best of the crossovers between the two was the piece called "Blast Off!".

Of course, there is also the crossover call entitled "Oh Yeah?" between heavy-metal and CD star kiss, dealing with a Fu Manchu type of character. Even mentioning that there was a Fu Manchu type of character would get me in trouble with people of today, so I will plan on redesigning my version of Fu with a slight change to color and look. He will be villainous, though. That's a mainstay of the character.

But back to Sady.

Initially, she was just eye candy, to be honest, but as I continued to draw her in different situations, I realized that I needed something more for her. I wanted a personality that would encompass her physically with some of her other mental attributes.

I wanted a strong woman who could fight when push came to shove and yet now always overpower her "detractors."

Another female character I found to be of interest is Una Persson from the Micheal Moorcock fantasy series. I felt she was someone I could base some of Sady on.

So I wanted her to be sexy and adventurous. She is the pinnacle of what my Fu Manchu character is looking for, and Heavy Metal always gets in the way. Of course, others want to be with her as well. Robot Monster is one; Corpse Cop is another.

And all of this chaotic craziness is going to be rendered in scratchboard.

What else?

Life is Pesky

Hey there sports fans, Al here with the latest,

I know it's been a while since I've posted anything recently. And well, as I've said it once, and I'll repeat it. 

Real life gets in the way of the creative side of things. And emotions like there do happen to flare up from time to time. Because of that, they can hugely influence how the creative side of a person's personality comes out. Or not in my case. I was letting others' conflicts invade my personal space, and I just had to stop and deal with that. What a draining experience.

BUT I just wanted to let you know that things are moving forward with the Pasquinade Project; as far as artwork is concerned, I have five out of seven pieces almost wholly done. It’s just a matter of Hi-Rez scans and then matting and framing, and then there will be a new show.

If you look at the new Pasquinade Project pieces, there will be at least seven pieces, possibly eight depending on what is needed to fill the space with all the work being done. It looks like it’s coming together, and from the reactions, I’ve seen from people when I’ve shown him the group together seems to be a very positive reaction.

Another topic of conversation. "The Watery Adventure of Richard Parker," and I have yet to get this book formatted. For one reason or another, I’ve been putting it off because I’ve been having a hard time focusing on the idea of just doing the physical part of the book. It’s not a creative process; therefore, like so many other artists, I’m just not into it, but I have to force myself to get this book done.

Here is a list for the Pasquinade Project: (as it stands so far) The Pasquinade Project should include the classic Star Trek letter font for this work, except for the title of the art show poster.

Number One: Juicebox. A need for something refreshing turns deeply into something quite unnatural. Colloquial Title: Ask, and ye shall receive.

Number Two: Target Earth. Otherworldly intervention of alien influence on our primal ancestors leaving the distinct racial memory of being probed. Colloquial Title: Tag and release.

Number Three: Duality of the Singularity. The isolated A.I. clad in boilerplate hitting it's thermal limits of its positronic overload of data input under the collapse of known physical laws. Colloquial Title: The gravity of new situations on the horizons.

Number Four: Bacon and Eggs. The Supreme Intelligence contemplating its control over minions of a simian nature with the most base desire for sustenance. Colloquial Title: A good way to start off your day.

Number Five: “The Martian that fell to Earth. “No one would have believed in the early years and a 21st century that an intelligence greater than our own would surely draw his plans against us.” Colloquial Title: “Ack Ack Ack” translation - “I’m sooo angry!”

Number Six: “The Unknown Co-monk”. Set adrift from his humble beginnings in mass media, now fights against boredom with martial mastery of the paper bag technique. Colloquial Title: Bang a gong, get yerself gone!

Number Seven: “Blast Off!” Sady Starkiss rockets out into the infinite comic space way carried away upon Heavy Metal’s thrumming motors only to catch passers-by notice while on his way to earthly invasion and ultimately world domination. Colloquial Title: More thrust!

Here is a visual link for the work that has been worked on https://www.tiktok.com/@alanjohnbennett/video/7107101079900572974?is_from_webapp=1&sender_device=pc&web_id=7019629005599311365

Filling in the Gaps

Hey, there sports fans, Al here with the latest:

So, in the last several posts, I had previously mentioned how I've had to constantly go over my story of Richard Parker and his watery adventure.

It has been a trial for me. Because like every artist I have ever known, the initial concept NEVER equals the finished piece. Sometimes you can come close to that ephemeral idea, but almost every time, it never happens.

SO as an editor on your work, you have to be super critical of your work. Those other types of artists who think that their work is the shiz are those who don't deal with criticism- of any kind. I think the popular word to describe this is "spreg out."

The only way to grow as a person, both personally and professionally, is through criticism. There is no such thing as bad criticism. If you're honest with yourself, listen and then move forward. Yeah, you might like what they have to say. They'll even try to troll you. But take it on the chin. Right now, there are art critics who roam this town of Portland's art scene that are toxic just by comments alone and have some artists in fear of their professional lives. That is just a side note btw.

With that, a few images fill in the gaps to make transitions between significant parts of Richard Parker's story.

A Combo of images of transitional images for “The Watery Adventure of Richard Parker”

I have been working on the battle before Parker's ultimate demise and strengthening (in my opinion) the reason why the mermaid depicted has an emotional change of heart towards Parker.

As I write this, the Prodigy's "Firestarter" is playing in the background. This song is a great sign to start a fire under me to get work going and finished.

I want Richard Parker's story to be done.

I know that a lot of other people are waiting as well. I know that a lot of other people are waiting as well. They keep asking me about it. Many people want to support the book when it's done, but they've been hearing tales of this epic tale, but the epic continues to keep growing, and it's epic Ness. So I got a finish it. Not only for me but for them, and it'll be a monumental piece of work. So here are some more images of the book groups and pages, and I got to get to work, and this kid is out of here.

An idea for a new mermaid piece - for a 4 year old

 Hey there sports fans, Al here with the latest;

An idea for a new mermaid piece.

I need a not creepy piece of mermaid artwork with earrings and a necklace and a tail and white that has rainbows. I'll see how well I can do that with a piece of black and white or work.

So now the "Say it ain't so show" has been going on for about three weeks now. In that time, I have sold five pieces of artwork. One original black and white of Richard Parker "Cargo Hold of the Deep" four small mounted prints. It's been reasonably successful for me showing people the artwork with them commenting about it. I've had other questions about the work. As you could tell by the beginning part of this blog, I was approached by my coworker. She wanted to have a piece of artwork done for her daughter, who happens to be four years old. Her description of what she likes about mermaids are as follows - "probably with not as long a tail and not and make it not as "creepy. " This made me laugh out loud. Which is four-year-old speak means to make the eyebrows not so pointed and jaggy, and it has to have rainbows.

Please refer to the piece of artwork "Spell Upon Richard Parker."

I might be able to do that. But right now, I'm in the process of working on three new big 18 x 24 pieces of artwork that have already been drawn out they've already been transferred over. It's a matter of just starting to work on it. I need to finish the last the let the previous three, and then start planning for number seven, the apocalyptic forecast. It'll be a 9 x 12, but I need to design that one out.

UPDATE: 8-29-21

Currently, I am looking over some aspects of looking for an artist's agent to help me find other venues to showcase my art. It has been pointed out that I might have to change my subject matter to attain a higher status with more "conservative tastes."

This is a personal choice for me. I can do such pieces (and who knows, I might actually do it just because), but I am not about to just change course on what I have set for myself. I've already changed course in trying to finish Richard Parker, and look where that has gotten me. Closer to being finished, but what does that really mean?

Anyway, heady thoughts for long-term stuff.

And I am outta here.